This novel is the latest in the series featuring Riley Fitzhugh. With the advent of the Second World War Fitzhugh leaves his private detective business in Los Angeles and joins the Navy. He goes through officer training and gets assigned to the PC 475, an anti U-boat vessel. The 475 is nicknamed The Nameless by her crew, because patrol craft were only given numbers. The ship patrols the Gulf of Mexico during the early days of the war. Fitzhugh and the Nameless uncover and destroy German supply station in northern Cuba and track the crew of a damaged U boat. Along the way Fitzhugh has a few adventures in Havana, where he meets both Ernest Hemingway and his glamorous wife, Martha Gellhorn.
The first novel in the Ethan Grey trilogy. “It’s not my fight,” said Ethan Grey. It didn’t matter. Mexico was at war, and he was in it. He’d wanted a cruise in warm waters, a chance to forget the war he’d just fought, the War Between the States. But the ship he chose so casually had another mission, and like it or not Ethan Grey was on board. The storms at sea, the battles with enemy ships, the long trip overland through hostile territory, the flight from French mercenaries; it became his war, too. But this time, at least it was simpler. It was just a fight for his friends. And for Maria.
The second novel in the Ethan Grey trilogy. Ethan Grey has seen too many good people die to regret killing the bad ones. An educated man, a former sailor who shelled Vicksburg for the Union Navy, Grey has come to Hell’s own training ground on the Mexican border. The Pinkertons want him to find out who hijacked an army payroll and left eight soldiers dead beneath the blazing sun. Amid ambush and bloody betrayal, he’s right at home.
The third novel in the Ethan Grey trilogy. T. A. [Terry] Mort is a shining new star in Western fiction. His novels are drenched in period detail and evoke a time in American Western history (the 1880s) that few writers have been able to capture successfully. His work is colorful, with solid, believable characterizations. Mort writes in the tradition of the finest Western storytellers: Ernest Haycox, Louis L’Amour, and Larry McMurtry. Mort’s protagonist, Ethan Gray, like Brand’s Destry and L’Amour’s Sackett Brothers, is larger than life, but nevertheless believably human.” In this book Ethan travels the length of Arizona in pursuit of assorted criminals, and along the way, to his surprise, he also acquires a family.